ABOUT THE WORKS

“The fragile appearance of the wire suggests vulnerability. In isolation it is quite weak but when manipulated into mesh gains strength. This contrast plays with perception when combined in one piece of work. To contain the mesh within the frame can add visual dimension and provide security. Each mesh is a painting in which I use differing densities of wire to create shapes and surface changes.
“The wirework in this jewelry is fabricated from fine silver (99.9% pure). The gold wire and sheet is 24 ct. gold. The frames are sterling and brooch pins are usually stainless steel. Whilst fine silver does not tarnish as readily as sterling it does still tarnish and will require cleaning to keep it looking its best.
“One of the best ways to look after silver is to wear it. Jewelery that is worn is less prone to tarnish. When not being worn it is best to store jewelery away from the affects of the surrounding air especially central heating. Wrapping it in acid free tissue will help slow down oxidation; storing it in an airtight container will do an even better job.

A WORD OF CAUTION:
Do not rub wirework with a cloth or any other material that is likely to cause the delicate wires to work free.

Exhibitions

2007 "What Lies Beneath," Group exhibition curated by Allison Barnett, Patina Gallery, Santa Fe, NM